What's New to Watch on Netflix Week of Oct. 9, 2026
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If you're looking for the best movies to watch on Netflix, you've come to the right place. Below, we've put together an expertly curated selection of some of the most exciting, compelling, emotional and funny movies currently streaming right now.
Ultimately, Netflix is probably not the most obvious buy story in October. Admittedly, it still maintains double-digit revenue growth, and at 22 times earnings, the stock remains inexpensive.
Calvin Penney cut the rope on a sea creature, but the Crockers held the real knife. Find out how Netflix’s Below season 1’s ending exposes who emptied Snook’s Arm.
Russell Crowe’s new Netflix thriller is officially one of the biggest streaming hits of 2026. Read on for more details.
Jesse McKeown's six-part series focuses on a fisherman in a remote village, his quirky family and an aquatic monster capable of easily sinking ships.
Netflix users know that the streaming platform categorizes its genres broadly. But did you know that Netflix is also home to a trove of hidden genre labels?
This is likely Netflix’s second most ambitious project in Colombia after its adaptation of Nobel Laureate Gabriel García Márquez’s “One Hundred Years of Solitude,” which wrapped its second and final season on Aug. 26, and involved the building of an entire backlot to represent the legendary town of Macondo.
Netflix announced that the last day to watch Pierce Brosnan's $200 million fantasy bomb will be at the end of this month.
The 2026 Netflix release, which the actor co-wrote, directs and stars in, follows the moral dilemma of mayoral hopeful Mark Kimball (Affleck) and his wife Abby (Kerry Washington), who are being blackmailed for ransom in the failed kidnapping of their son Denny (Christopher Woodley).
An untitled “Bridgerton” spinoff about Lady Violet and Viscount Edmund Bridgerton is in the works at Netflix. Season 5 is currently filming in London.
Namkoong Sun, director of Netflix's Korean romance "Love Untangled," said her first commercial feature felt little different from her independent films once cameras rolled, apart from the scale. The freedom,