The Classical Review4h
Blazing Copland, Kirchner highlight AMP’s 10th anniversary finale
Following successful collaborations with the Kontras Quartet and Illinois Philharmonic Orchestra earlier this year, the American Music Project wrapped its 10 th anniversary season Sunday afternoon ...
The Classical Review4d
Bates Piano Concerto proves an instant classic in Trifonov’s debut recording
Bates, now 47, has emerged as a composer of greater depth and discernment. One gets the sense that the California native hit a creative wall and needed to break through it to take his music to the ...
The Classical Review13d
A harpsichord festival grows in Washington, courtesy of Capriccio Baroque
Carolyn Winter founded Capriccio Baroque in 2017, splitting off the harpsichord-centered series from a home concert endeavor she directed with Jessica Honigberg in Northwest Washington.
The Classical Review22d
A Boston double-shot of Gershwin musicals proves timely and delightful
Aaron Engebreth and Abagail Paschke in George Gershwin’s Of Thee I Sing, presented by Odyssey Opera. Photo: Kathy Wittman What has been harder to come by of late, and not just locally, are ...
The Classical Review21d
Ax masterfully illuminates contrasts and convergence in Celebrity Series recital
Emanuel Ax performed music of Schoenberg, Beethoven and Schumann Sunday afternoon at Jordan Hall for the Celebrity Series. Photo: Robert Torres/CS Of all the unexpected connections to emerge from ...