It’s a commitment to intensity that has served him well, and for the second time in a row, he has brought his characters to San Francisco.  2020’s “The Invisible Man” was set mostly in San Francisco,

Julia Garner in "Wolf Man," 2025 ... gather in a remote cabin in the Oregon wilderness to work on their problems. Her star as a San Francisco journalist is rising, his writing career is stagnant. And, oh yeah, an animal predator has scratched his skin ...

Leigh Whannell’s “Wolf Man” features striking practical effects and sound design but falters with overused tropes and a lackluster plot.

Wolf Man 2.5 out of 5 Stars Director: Leigh Whannell Writers: Leigh Whannell, Corbett Tuck, Lauren Schuker Blum, Rebecca Angelo Starring: Christopher Abbott, Julia Garner, Matilda Firth, Sam Jaeger Rated: R for bloody violent content, grisly images and some language.

Wolf Man 2.5 out of 5 Stars Director: Leigh Whannell Writers: Leigh Whannell, Corbett Tuck, Lauren Schuker Blum, Rebecca Angelo Starring: Christopher Abbott, Julia Garner, Matilda Firth ...

The Invisible Man’ director Leigh Whannell transforms the ‘Wolf Man’ into a story of a guy trying to avoid turning into his father.

With the broad strokes of a great setting, solid acting, and quality direction, an audience will find Wolf Man to be time well spent.

A concept artist who worked on Leigh Whannell's Wolf Man has unveiled some of his alternate designs for the titular monster. Are they better, or worse? Have a look and let us

Elsewhere, 'Moana 2' has cleared the $1 billion mark in worldwide ticket sales in another win for Disney's animation empire.

My expectations for a fresh approach to the lycanthropy myth were stoked by this new film from Australian genre auteur Whannell, especially after he nailed the update to The Invisible Man and its intimate partner violence allegory, and the terrific sci-fi thriller Upgrade.

Horror regular Leigh Whannell is back with another Universal Monsters remake after his success with The Invisible Man (2020). This time, he delivers a unique spin on The Wolf Man (1941). There’s no gothic Wales setting or Larry Talbot here though.

Unfortunately for Universal/Blumhouse, it doesn't look like director Leigh Whannell is going to be able to repeat the success of his take on The Invisible